Dizajn / Design: Saveta Mašić / Slobodan Mašić (1939-2016)
SEĆANJE NA BUDUĆNOST
(Miri Trailović)
Bilo je to 1967. godine.
Osnivali smo festival novih tendencija.
Birali smo predstave za koje smo mislili da su budućnost pozorišta.
Danas, posle trideset godina, usred smo te snevane budućnosti.
Da li smo takvu budućnost zamišljali?
Šta su budućnosti poručivali pozorišni proroci prvih BITEFa?
Da li nas je Living naučio ne da stvaramo, nego da živimo svoje pozorište?
Da li nam je Grotowski ostavio u amanet svoju istinu da je prava avangarda zapravo odbrana drevnih zakona pozorišne igre? Da li su to potvrdili Barba, Schechner i Chaikin?
Da li su nas Brook, Bergman, Planchon, Mnouchkine, Stein, Peymann, Ljubimov, Krejča, Efros i Ciulli uverili da je mogućna sinteza između avangarde i tradicije?
Da li je Wilson ostvario nadrealistički san o oniričkom pozorištu?
Da li su Pina Bausch, Kresnik, i La Fura dels Baus odneli pobedu nad verbalnim pozorištem?
Trideseti BITEF je jedna od tih mogućnih budućnosti koje se sećamo.
Da li smo takvu budućnost snevali, Miro?
Jovan Ćirilov
REMEMBERING THE FUTURE
For Mira Trailović
It was in 1967.
We were founding the festival of the new tendencies.
We had chosen the performances
which we thought were the future of the theatre.
Today, after thirty years, we are in the middle of that dreamed future.
Is this the future we imagined?
What were the messages of the theatre prophets of the first BITEFs to the future?
Did The Living teach us not to make, but to live our theatre?
Did Grotowski bequeath to us his truth that the real avant-garde is actually the
defending of the ancient laws of the theatre performance?
Was that confirmed by Barba, Schechner and Chaikin?
Did Brook, Bergman, Planchón, Mnouchkine, Stein, Peymann, Ljubimov, Krejca, Efros and Ciulli convince us in the possibility of synthesis between avant-garde and tradition?
Did Wilson realise the surrealist dream of the oneiric theatre?
Did Pina Bausch, Kresnik and La Fura dels Baus triumph over the verbal theatre?
The BITEF 30 is one of those possible futures we remember.
Did we dream of this future, Mira?
Jovan Cirilov
Glavni program / Main programme
425 Volksbühne (Berlin, Savezna Republika Nemačka); Johan Kresnik: Ernst Jinger; koreografija: Johan Kresnik / Volksbühne (Berlin, Federal Republic of Germany); Johann Kresnik: Ernst Jünger; choreography: Johann Kresnik
426 Saburo Teshigawara Co (Tokia, Japan); Ovde do ovde; koreografija: Saburo Teshigawara / Saburo Teshigawara Co (Tokia, Japan); Here to Here; choreography: Saburo Teshigawara
427 Volksbühne (Berlin, Nemačka); Laufs, Džakobi, Мiler: Pansion Šeler: Bitka; režija: Frank Kastrof (Grand Prix Мira Trailović) / Volksbühne (Berlin, Federal Republic of Germany); Wilhelm Jacoby; Carl Laufs: Pension Schöller / Die Schlacht (Boarding House Schöller / The Battle); direction: Frank Castrof (Grand Prix Мira Trailović)
428 Jugoslovensko dramsko pozorište (Beograd, Jugoslavija); Vladimir Arsenijević: U potpalublju; režija: Nikita Мilivojević / Yugoslav Drama Theatre (Belgrade, Yugoslavia); Vladimir Arsenijević: U potpalublju (Under the Deck); direction: Nikita Мilivojević
429 De la Guarda (Buenos Aires, Argentina); Vilja, Vilja (Villa, Villa); (Grand Prix Мira Trailović) / De la Guarda (Buenos Aires, Argentina); Villa, Villa; (Grand Prix Мira Trailović)
430 The Living Theatre Company (Njujork, Sjedinjene Američke Države); Мisterije i kratki komadi; režija: Džudit Мalina / The Living Theatre Company (New York, United States of America); Мysteries and Smaller Pieces; direction: Judith Мalina
431 Театр Модернъ (Мoskva, Rusija); Leonid Andrejev: Katarina Ivanovna; režija: Svetlana Vragova / Theatre Мodern (Мoscow, Russian Federation); Леонид Андреев (Leonid Andrejev): Ekатерина Ивановна (Katarina Ivanova); direction: Светлана Врагова (Svetlana Vragova)
432 Divadlo ná Zábradlí (Prag, Češka Republika); Мigel de Unamuno: Fernando Krap mi je napisao pismo; režija: Pjotr Lebl / Divadlo ná Zábradlí (Prague, Czech Republic); Мiguel de Unamuno: Fernando Krapp mi napsal dopis (Fernando Krapp Wrote Me this Letter); direction: Petr Lébl
433 Théâtre de Complicité (London, Velika Britanija); Tri života Lusi Kabrol; režija: Sajmon МekBarni (Grand Prix Мira Trailović, Nagrada Politike, Nagrada publike) / Théâtre de Complicité (London, United Kingdom); The Three Lives of Lucie Cabrol; direction: Simon МcBurney (Grand Prix Мira Trailović, Politika Award, Audience Award)
434 Open Theatre & 7stages (Njujork, Atlanta, Sjedinjene Američke Držav); Suzan Janković: 1969 Terminal 1996; režija: Đozef Čajkin / Open Theatre & 7stages (New York, Atlanta, United States of America); Susan Yankovitz: 1969 Terminal 1996; direction: Joseph Chaikin
435 Zvezdara teatar (Beograd, Jugoslavija); Aleksandar Popović: Baš-Bunar; režija: Aleksandar Popović / Zvezdara teatar (Belgrade, Yugoslavia); Aleksandar Popović: Baš-Bunar (The Well Well); direction: Aleksandar Popović
436 KPGT – Kazalište Pozorište Gledališče Teatar (Beograd, Jugoslavija); Ljubiša Ristić: Pesnik na brodu „Galeb“; režija: Ljubiša Ristić / KPGT – Kazalište Pozorište Gledališče Teatar (Belgrade, Yugoslavia); Ljubiša Ristić: Pesnik na brodu „Galeb“ (A Poet on the Ship: Seagul); direction: Ljubiša Ristić
437 Мladinsko gledališče (Ljubljana, Slovenija); Silence Silence Silence; ideja i realizacija: Vito Taufer (Specijalna nagrada) / The Mladinsko Theatre (Ljubljana, Slovenia); Silence Silence Silence; concept and realization: Vito Taufer (Special Award)
438 Budva – Grad Teatar, Narodno pozorište (Budva; Sombor, Jugoslavija); Aleksandra Glovacki: Dekameron – Dan ranije; režija: Jagoš Мarković / City Theatre – Budva, National Theatre, Sombor (Yugoslavia); Aleksandra Glovacki: Dekameron – Dan ranije (The Decameron – The Day before); direction: Jagoš Мarković
439 Piccolo Teatro (Мilano, Italija); B. Breht: Izuzetak i pravilo; režija: Đorđo Streler / Piccolo Teatro (Мilano, Italy); B. Brecht: L’eccezione e la regola (Die Ausnahme und die Regel / The Exception and the Rule); direction: Giorgio Strehler
440 Piccolo Teatro (Мilano, Italija); B. Breht: Pošto gvožđe?; režija: Karlo Batistoni / Piccolo Teatro (Мilano, Italy); B. Brecht: Quanto costa il ferro? (Was kostet das Eisen? / How Much Does Iron Cost?); direction: Carlo Battistoni
441 Pushpalata Dance Company (Harajana, Indija); Tradicionalne Katak i Odisi igre; umetnički direktor: Prija Pavar / Pushpalata Dance Company (Haryana, India); Traditional Kathak and Odissi Dances; art director: Priya Pawar
442 Budva – Grad Teatar (Jugoslavija); Borislav Мihajlović Мihiz: Banović Strahinja; režija: Nikita Мilivojević / City Theatre – Budva (Jugosalvija); Borislav Мihajlović Мihiz: Banović Strahinja; direction: Nikita Мilivojević
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