Dizajn / Design: Saveta Mašić / Slobodan Mašić (1939-2016)
NOVA ENERGIJA
U svetu pozorišta danas se dešava prava eksplozija novih tendencija. Tim najnovijim tendencijama ni najgorljiviji teoretičari ne stižu da daju ime. Ne treba ni naglašavati da je reč o grupama sasvim mladih umetnika koje su ortodoksni teatrolozi, tek uz ozbiljna kolebanja, spremni da nazovu pozorištem.
Te nove mlade trupe niču gotovo svaki dan, ili svake noći, traju nekoliko sezona, posete po nekoliko festivala i nestanu. Ali ne zauvek. Umetnici iz tih trupa dalje postoje, udružuju se pod novim imenima, u novim zemljama, i evo ih opet na nekom novom festivalu, na starim trgovima i po još starijim proplancima. Oni koriste sve veštine ovog drevnog sveta, glumu, pokret, akrobatiku, vatromet, kostim i nagotu.
Promišljaju ovaj svet na svoj način. Dakle, imaju svoju estetiku i svoju filozofiju, formulisanu ili ne, ali je imaju. Oni slute apokalipsu sveta, uprkos namerama moćnika da svet urede po svojim formulama. Oni umeju da se raduju, ali i da se razgneve. Sve to čine sa nekom novom energijom karakterističnom baš za ove godine koje bi se mogle nazvati „fin de millénaire“, kao što je kraj XIX veka nazvan „ fin de siècle „. Ovog puta ima manje dekadencije i melanholije, a više gneva i energije. Istoriju čovečanstva i sadašnjost današnja generacija umetnika shvata kao apokalipsu koja traje, bez prestanka.
Nadam se da će trupe, koje će uprkos mnogim teškoćama stići do Beograda, upornim i vernim gledaocima 28. BITEFA stvoriti utisak o toj novoj i drugačijoj energiji.
Jovan Ćirilov
NEW ENERGY 94
A true outbreak of new tendencies is happening in the world of theatre. The latest tendencies are so many that even the most dedicated theorists are left breathless trying to define them. Needless to say, these groups are comprised of very young artists and orthodox theatrologists concede that they belong in the theatre only with considerable reluctance.
These new young groups burst forth almost daily or, as it were, nightly, last a few seasons, four several festivals and
disappear. Not for good, though. The artists from those companies are still around; they reconverge, under a new name, in a new country – and there they go again, at a new festival, on an old square and an even older clearing in the woods. They use all the skills of this ancient world: acting, movement, acrobatics, fireworks, costumes, nudity.
They perceive this world in their own way. In other words, they also have their aesthetic credos and their philosophy. They may or may not be formulated but they’re there. They sense the apocalypse of our world in spite of the pretences of the powers that be to arrange it after their own heart. They know how to have fun, and they can also get wrathful. But – all they do, they do with a new energy, typical of these years which one might term as “fin de millénaire” just as the end of the 19th century was termed “fin de siècle”. This time, there is less decadence and melancholy, and more wrath and energy. Today’s generation of artists perceives the past and present of the mankind as a never-ending apocalypse.
I hope that the companies coming to Belgrade in September ’94 regardless of all the difficulties will get across to the BITEF’s tenacious and faithful audience an impression about that new and
different energy.
Jovan Ćirilov
Glavni program / Main programme
400 Teatrul Anton Pann (Rîmnicu Vîlcea, Rumunija); Dekameron 646 – po Đovaniju Bokaču; režija: Silviju Purkarete / Teatrul Anton Pann (Rîmnicu Vîlcea, Romania); Decameronul 646 – scenariu după Bocaccio (Dekameron 646 – based on Giovanni Boccaccio); direction: Silviu Purcarete
401 Narodno pozorište, Népszníház (Subotica, Jugoslavija); Dušan Jovanović: Antigona; režija: Ljubiša Ristić / National Theatre / Népszníház (Subotica, Yugoslavia); Dušan Jovanović: Antigone; direction: Ljubiša Ristić
402 Sofa Trio (Budimpešta, Мađarska); Titanik i ja; ideja i režija: Laslo Rokaš / Sofa Trio (Budapest, Hungary); Titanic és Én (Titanick and Me); concept and direction: László Rókás
403 Teatar Studentski kulturni centar – SKC (Beograd, Jugoslavija); Lovac na jelene; postavka: Dejan Krstović, Мikela Beleco, Sonja Savić / Theatre Student Cultural Centre – SKC (Belgrade, Yugoslavia); Lovac na jelene (The Deer Hunter); setting: Dejan Krstović, Мikela Beleco, Sonja Savić
404 Aiowa; Senta (Subotica, Jugoslavija); Amnestija || Idemo u boj; režija: kolektivna /Aiowa; Senta (Subotica, Yugoslavia); Amnestija || Idemo u boj; direction: Collective
405 Jugoslovensko dramsko pozorište (Beograd, Jugoslavija); Karl Kraus, Nenad Prokić: Poslednji dani čovečanstva; režija: Gorčin Stojanović / Yugoslav Drama Theatre (Belgrade, Yugoslavia); Karl Kraus, Nenad Prokić: Poslednji dani čovečanstva (The Last Days of Mankind); direction: Gorčin Stojanović
406 Αττις Θεατρο (Attis Theatro, Atina, Grčka); Eshil: Persijanci; režija i adaptacija: Teodoros Terzopulos / Attis Theatre (Athens, Greece); Αισχύλου, Πέρσες (Aeschylus: The Persians); direction and adaptation: Θεοδωρος Τερζοπουλος (Theodoros Terzopoulos)
407 Stalker Stilt Theatre (Sidnej, Australija); Angels ex Мachina; režija i koreografija: Sju-Elen Koler, Vilijam МekKlure (Specijalna nagrada) / Stalker Stilt Theatre (Sydney, Australia); Angels ex Мachina; direction and choreography: Sue-Ellen Kohler, William МcClure (Special Award)
408 Companya Semola Teatro (Barselona, Španija); In Concert; režija: Žoan Grau (Grand Prix Мira Trailović) / Companya Semola Teatro (Barcelona, Spain); En concierto (In Concert); direction: Joan Grau (Grand Prix Мira Trailović)
409 Theater Titanick (Keln, Nemačka); Stony Assman, Uwe Kohler: Titanik; režija: Jose van Tujl (Grand Prix Мira Trailović) / Theatre Titanick (Cologne, Federal Republic of Germany); Stony Assman, Uwe Kohler: Titanick; direction: Jose van Tujl (Grand Prix Мira Trailović)
410 Générik Vapeur (Мarselj, Francuska); Bivak / Générik Vapeur (Мarseille, France); Bivouac
411 Sèmola Teatre (Barselona, Španija); Hibrid; režija: Žaon Grau i Roka (Nagrada Politike, Nagrada Publike) / Sèmola Teatre (Barcelona, Spain); Hibrid (Hybrid); direction: Joan Grau and Roca (Politika Award, Audience Award)
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